AI visual art / curated series
Rooms for what survives the ceremony.
ProMax Visuals is a sequence of image-rooms for cinematic fragments, symbolic bodies and impossible memories. The newest room begins where a porcelain feast has already ended.
Curatorial note
The newest room remembers a feast no one touched and a ceremony that refuses to end.
Current and future exhibitions
Each exhibition is imagined as its own room: one mood, one visual language, one small world of recurring textures, titles and symbolic accidents.
Between Matter and Silence
Organic forms, silent faces and impossible rooms where body, architecture and nature flow into one another.
The Last Feast of Porcelain
A brittle after-party of lace, rust, empty rooms and figures rebuilding themselves after the ceremony.
The Theatre of Wrong Things
A playful but unsettling room for masks, props, sweets, signs and impossible relics.
Soft Machines, Unfinished Bodies
Folded figures, quiet mechanisms and unfinished forms in a pale repair room.
The Cabinet of Tender Errors
A collection of soft specimens, impossible anatomy and beautifully misfiled creatures.
Current exhibition / room 04
The Last Feast of Porcelain
A ceremony after its guests have gone. The room gathers porcelain bodies, abandoned tables, dead flowers and figures piecing themselves together in the light left behind.
Born beside the music video for Gory Glory, the images have become their own quiet anatomy: part wedding relic, part ruined theatre, part memory that refuses to leave the room.
Nothing was eaten. Nothing left the room whole.
Selected works
A live reading of the current ProMax AI gallery archive. The layout keeps each image's natural proportion, so portrait, square and wide works can sit together without forced cropping.